Big record labels like to draw a false dichotomy between pirating music and supporting artists. You can, in fact, do both! Here's how and why I do.
I listen to a lot of music. A Lot. There's no way I could afford it all right now. Buying an album can also be a risky investment - even if you liked the sound of an album preview you heard, you don't know for sure how great it is until you really spend some time with it! My model is to pirate, then reward the albums that earn it over time:
- Determine how much money you can and should spend on music, and make a time period for doing so. For instance, ~$10/month at the end of a month.
- Pirate and listen to everything you might enjoy.
- Log it all, using last.fm for instance.
- At the end of your time period, decide which artist(s) you want to support. Consider how much you enjoyed them, whether they're already rich vs. the runner-up, or even still alive, whether they are on an RIAA label, etc.
- Give money to the artist, as directly as possible.
Another model is to allow users to determine the price, with a relatively low floor price that remains until the costs of production are covered. If it's cheap, more people will buy it, and big fans will pay more.
If you are a musician, I strongly encourage you to think about why you distribute your music the way you do. Big labels give stingy cuts, the RIAA is consumed by cartoonishly evil greed, and you don't need a big label for advertising anymore. The iTunes store gives a 9% cut to artists. If your music is any good, people are going to pirate it no matter what, and if your music is any good, people will discover it 1) through shows as always, and 2) through new web services like Pandora and last.fm, online reviews and blog posts. You need a manager to book shows, a label that can produce CDs and records for those who buy them, and a distributor
Pirates buy music, and it's time listeners and artists move to support a more modern music economy. No one needs a cut if they aren't helping artists or listeners.